Karl Malden Dead

From the LA Times:

Karl Malden, one of Hollywood's strongest and most versatile supporting actors, who won an Oscar playing his Broadway-originated role as Mitch in "A Streetcar Named Desire," died today. He was 97.

Malden starred in the 1970s TV series "The Streets of San Francisco" and was the longtime American Express traveler's-check spokesman, warning travelers to not leave home without it. He died of natural causes at his home in Brentwood, said his daughter Mila Doerner.

With his unglamorous mug -- he broke his bulbous nose twice playing sports as a teenager -- the former Indiana steel-mill worker realized early on the course his acting career would take.

"I was so incredibly lucky," Malden once told The Times. "I knew I wasn't a leading man. Take a look at this face." But, he vowed as a young man, he wasn't going to let his looks hamper his ambition to succeed as an actor.

In a movie career that flourished in the 1950s and '60s, Malden played a variety of roles in more than 50 films, including the sympathetic priest in "On the Waterfront," the resentful husband in "Baby Doll," the warden in "Birdman of Alcatraz," the outlaw-turned-sheriff in "One-Eyed Jacks," the pioneer patriarch in "How the West Was Won," Madame Rose's suitor in "Gypsy," the card dealerin "The Cincinnati Kid" and Gen. Omar Bradley in "Patton."

Michael Jackson and the Music Video

With the death of Michael Jackson, MTV has actually gone back to showing music videos again. In a lot of the press reports about Jackson's death, it has been mentioned how his work defined the possibilities of medium, broke ground for other African American artists, and included major Hollywood talents.

Consider the full length video for "Bad" (in two parts), directed by Martin Scorsese:






Jackson's work is very important to the history of the music video and to popular music as a whole. However, it is also important to note how the music video itself has changed. This article from CBS points out that a hit music video no longer moves album sales and the form has gravitated from the television to the Internet, which has changed the fundamental purposes and means of video directors:

Record labels don’t see the same returns on music videos as they saw during the ‘80s and early ‘90s, so they are less willing to spend large amounts of money. Plus, there’s simply no place for them on television anymore. For the past decade, MTV’s programming has focused on reality programming, and VH1 and BET are following suit.

Even "Total Request Live," the last daytime show left on MTV dedicated to top music videos, has been canceled. Does this mean MTV, of all things, killed the video star? Not exactly.

The problem with the old-school model is that, like many old-school models, it wasn't prepared for the Internet. Why would someone wait around to catch a music video on TV when it was available online instantly? Viewership declined, then ad revenue, steering television executives away from music and towards original content. Music videos migrated to the web, and everything about them shrunk, from screen to scope.

"If I had written my book a few years prior [to 2008], I would have said music videos had come and gone," said Austerlitz. "But with their migration to the Internet, there has been a rebirth and a resurgence of interest in the form.

Removing music videos from their market-driven function may actually serve to make them better and more artistically interesting pieces of cinema. Already we have seen major film directors, like David Fincher, who have come from the format and the style has certainly been embraced in contemporary editing. But maybe now the influence can shift the other way, with music videos taking cues from narrative film.

Celebrate Freedom of Speech on Sounds of Cinema

Sounds of Cinema for Sunday, July 5th will celebrate freedom of speech by featuring music of films that have been controversial, protested, or banned.

In putting this show together, I have made use the following online essays on controversial films:

• Entertainment Weekly: 25 Most Controversial Films of All Time
• filmsite.org: Most Controversial Films of All Time (Includes images not safe for work)
• Yahoo Movies: 5 Most Controversial Films of the Decade
• The Guardian: Torture, necrophilia, and a very naughty boy: the films that shocked us
• Alternative Reel: Top 10 Banned Films of the 20th Century
• critical-film.com: The Complete Video Nasties List
• Wikipedia: List of banned films
• Premiere: The 25 Most Dangerous Movies Ever Made

Watching Lord of the Rings in Tehran

According to this piece from Salon.com, the state run television network in Iran has turned to playing a Lord of the Rings marathon to keep the citizens occupied and off the street. It may not have the effect that they had planned:

Gandalf the Gray returns to the Fellowship as Gandalf the White. He casts a blinding white light, and his face is hidden behind a halo. "Imam zaman e?!" someone in the room asks. Is it the Mahdi, the last imam and, according to Shia Islam, the savior of mankind?

Who picked this film? I start to suspect that there is a subversive soul manning the controls at Seda va Sima, AKA the Islamic Republic of Iran Broadcasting. It is way too easy to play with the film, to draw comparisons to what is happening in real life. There are the overt Mousavi themes: the unwanted quest and the risking of life in pursuit of an unanticipated destiny. Then there is the sly nod to Ahmadinejad. Iranian films are dubbed (forget the wretched dubbing into English in the U.S.; in Iran dubbing is a craft) and there are plenty of references to "kootoole," little person, the Farsi word used in the movie for hobbit and dwarf. "Kootoole," of course, was, is, the term used in many of the chants out on the street against President Ahmadinejad. He is the "little person." ("And whose side are you on?" Pippin asks the ancient, forest-dwelling giant named Treebeard. Those watching might think the answer is Mousavi, since Treebeard is decked out in green.)

Star Trek Episode to Re-Run

This Sunday, June 21, Sound of Cinema will re-run the recent Star Trek-themed episode (#239). The show should be back next Sunday with a brand new episode.

Teaser Trailer for Michael Moore's New Film

The teaser trailer for Michael Moore's new (and still untitled) film about the bank bailouts ran in select theaters over the weekend:



According to slashfilm.com, ushers went down the aisles looking for donations:

During this, ushers really did walk out amongst the patrons with buckets in hand and wearing T-shirts with the slogan ‘Save our CEOs’. I don’t know if anybody dropped any cash in, or for that matter what Moore’s team would have done with any donated funds. Perhaps he’ll actually try and pass it on to the ailing institutions and film the ensuing events for the film? Sounds like a possible Moore move.

Article by Nia Vardalos

Actress and writer Nia Vardalos has written a piece for the Huffington Post about her new film, My Life in Ruins, and more specifically about the tough time she has had getting studios to make films for women:

Lately, I've been in meetings regarding a new script idea I have. A studio executive asked me to change the female lead to a male, because... "women don't go to movies."

Really?

When I pointed out the box office successes of Sex and The City, Mamma Mia, and Obsessed, he called them "flukes." He said "don't quote me on this." So, I'm telling everybody.

I'm in a new movie, My Life In Ruins, out in theaters now. It's a small indie, that was picked up for distribution by a studio (thank you Fox Searchlight.) We're in one-third, maybe less, about one-quarter of the amount of screens of the big movies...yet we made it into the Top Ten.